Friday, March 6, 2009

Thinking about Light

You will quickly improve your ability to create and recreate lighting effects you like if first you take time to study natural light.

Hard Light

  • The sun is the source of all daylight—sun in a clear sky casts one hard shadow opposite each object it hits.
  • The angle and length of that shadow depends on the angle of the sun to the earth, as well as to the subject.
  • When the sun is overhead, shadows are short; when it is low, shadows are long..
  • When the sun hits the side of a subject, it reveals texture.
  • Light that casts a hard shadow is technically known as “spectral” light.
  • Hard light can be dramatic in effect, or it can be harsh, ugly.
  • Any photo light with a metal reflector mimics the look of the sun in a clear sky, causing a hard shadow to fall behind whatever it hits.

  • The angle, shape, size, and finish of metal reflectors behind lights, when aimed directly at a subject, all influence the “look” of the light.
  • A “bare bulb”—a photo lamp, flash, or strobe tube without a reflector—casts a soft shadow similar to the sun through thin clouds or mist.

Soft Light

  • The sun filtered through fog or cloud casts soft shadows or almost no shadows.
  • Soft light, called “diffused” light, is easy to use, flattering to most subjects.
  • Totally shadowless light can be flattering, or dull or drab, like the light of a heavily overcast day.
  • The sun, when it “bounces” (or reflects) from a white wall onto a nearby subject in shadow creates a warm, flattering, almost shadowless effect.
  • Photographic light can also be softened by “bouncing”—reflecting—it.
  • Bounced photographic light is always soft and is usually flattering to people.
  • Many accessories are made that diffuse and/or bounce photo lights—white umbrellas and collapsible white/silver reflectors are the most useful.

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